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PRIMARY SOURCES

  • Azuonye C E. Narrowing of cultural diversity
  • National Artists Association (NAA) Bulletin 1996; Vol. Spring issue: p.6. Azuonye C E. “The Maiden”, in Oguibe et al (eds) The Anthill Annual. Nsukka: The Anthill Press, 1988.
  • Azuonye C E. Art and Artist: The Enugu Monuments. Nsukka: (unpublished degree thesis) Nigeria, 1987.

SECONDARY SOURCES

  • Nigeria Art Society UK (NASUK). Legacies of Biafra; 2018: pp 55,59, 74-75
  • Nigeria Art Society UK (NASUK). AURORA; 2016: pp 5-6
  • Nigeria Art Society UK (NASUK). ARIYA: A Celebration of colour; 2015: pp 7-8 Evening Standard 2014, Going Out: In Town this Weekend “The Consort;” October 17 issue: P.45
  • Nigeria Art Society UK (NASUK). Nigeria@100: Transforming a British Experiment; 2014: pp15-18
  • Nigeria Art Society UK (NASUK). Winter Exhibition (Inaugural) 2013: pp 4-5
  • Southwark News 2011, Viewpoint of an artist; November 17 issue: page 38
  • Tafari, D. Front-line, Art Matters. Artrage 1993; vol. March issue: p. 5
  • Kelly B, Stanley J. Nigerian Artists: A Who ‘s Who and Bibliography. Washington D.C: National Museum of African Art – Smithsonian Institution 1993
  • Colman S. Talking Pictures. Girl About Town 1992; Vol. 1018: p. 6.
  • Sackey C. Contemporary Art at Gallery 198. West Africa 1992; Vol. 3920: P.1897.
  • Akakpo B. Thoughts and Images of Chike Azuonye. West Africa 1991; vol. 3855: p. 1265.
  • Biney A. African Artists Fair. West Africa 1990; vol. 3797: p. 961.
  • Nwankwo K. A Palette on the Mind. Daily Star 1988; vol. Sept. 10 issue: Centre spread.
  • Ezima V. Art, Offspring of the Mind. Daily Times 1988; vol. Sept. 17 issue: p. 5″